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The Godfather Film Ideology Analysis Search result for 'The Godfather Film Ideology Analysis': Paper Excerpts: ... virtuous. To Mao, a good ruler is called an expert; he is well-versed in ideology. This ideology does not necessarily ideology of postmodernism. This latest ideology, paradoxically, has proclaimed the `end' of ideology, suggesting that basically an imperialist and expansionist nation that believes that its ideology is the only appropriate ideology and it the frontier was ideological more than it was actual. And in the ideology of the American frontier, the West existed as individual's actions and behavior is not only determined wholly by this ideology, but the state's ideology as well. This ...
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Sources list for THE GODFATHER FILM IDEOLOGY ANALYSIS: Dirks, Tim. "Film Noir." Film Noir Films Web site Journal (1998): 6 pages. 7 March 2005 <[1]http://www.filmsite.org/filmnoir.html.>.Film Noir: 1941-1953 Jaehne, Karen. "Film Scouts Interviews." Film Scouts. 08 May 2006 “The Big Lebowski†Althusser, Louis. "Ideology and Ideological State Apparatuses." Lenin and Philosophy and Other Essays. Trans. Ben Brewster. New York: Monthly Review Press, 1971. 127-188. ".. Face Hath Felt the Winter's Wind" Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999. Can the Horror Genre and Scopophilia Co-Exist? Robin Wood, "Ideology, Genre, Auteur" in Film Theory and Criticism, 4th ed., pp 475 - 484. Edited by Gerald Mast, Marshall Cohen & Leo Braudy, New York: Oxford University Press, 1992. The Art Film and the Genre Film More sources on "THE GODFATHER FILM IDEOLOGY ANALYSIS"
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